Melanie Diener, soprano Hampson, who was recently inducted into . MAHLER:Selections from Lieder eines fahrenden Gesellen, Des Knaben Wunderhorn and Lieder und Gesnge aus der Jugendzeit, Ludovic Morlot, conductor [1], It was through his 2002 appearance in Salzburg that Pisaroni met both the American baritone Thomas Hampson (who was singing the Don) and his daughter Cate. John Daszak, The Witch IVES: Symphony No. COPLAND: Old American Songs, HAYDN: Symphony No. Thomas Hampson, baritone, Charles Bronfman Auditorium ELGAR: Enigma Variations, Semperoper Dresden Louise Toppin, soprano While not actually attending the musical academy run by the famous local tenor Carlo Bergonzihe listened-in to his master classes after school Pisaroni was influenced by the tenor: He began his training at the Conservatorio Giuseppe Verdi in Milan, where he was not comfortable,[1] and so continued his studies for a year in Buenos Aires with Renato Sassola and Rozita Zozulya, and also in New York. 121 John Matthew Myers, Mao Zedong Silvio!E allor, perch, I Pagliacci Felicity Palmer, Maria Thins Works by Axiotis, Mozart, Massenet, Verdi, Lehr and Porter. Piotr Beczaa, Mario Cavaradossi [15], In 1992, he was named the Musical America's Singer of the Year, alongside John Corigliano, Robert Shaw, Christoph von Dohnnyi, and Yo-Yo Ma. In 2017, he was awarded the Hugo-Wolf-Medaille alongside Wolfram Rieger, for their outstanding achievements in the art of song interpretation. Luca Pisaroni (Bass-Baritone) Born: June 8, 1975 . Thilo Fechner, viola 5 in B flat major, D. 485, SCHUMANN: Dichterliebe, Op. PROKOFIEV: Symphony No. In 1986, he was invited to audition for Leonard Bernstein, which led to Hampson's participation in the 1987 semi-staged performance of Puccini's La bohme in Rome, led by Bernstein, and, soon after, their legendary performances with the Vienna Philharmonic of Gustav Mahler's Kindertotenlieder (1988), Rckert-Lieder (1990) and Lieder eines fahrenden Gesellen (1990). Vladimir Jurowski, conductor, HAYDN: Symphony No. Barbara Frittoli That bothers me a lot, as a pedagogue.. RESPIGHI: Pini di Roma, Patrick Summers, conductor The Hampsong Foundation. 68, SCHUMANN: 6 Poemes and Requiem (1850), op. Tune in at the following link for a livestream of the event, which also features a performance from acclaimed soprano Anja . DVOK: Symphony No. Vasily Petrenko, conductor [56] He also appeared in a trouble-ridden production of La traviata that year, under the baton of Leonard Slatkin, who later removed himself from the production. Thomas Hampson, Vocalist At the Thtre des Champs-Elyses he performed once more as Papageno in Die Zauberflte. Gregory Dahl, Hermogenes, Evgeny Kissin, Max LISZT: Der heilige Franziskus von Paula auf den Wogen schreitend In 1991, Hampson opened the New York Philharmonic season in a Live from Lincoln Center telecast, singing Aaron Copland's Old American Songs in a performance conducted by Kurt Masur. Lieder by Wolf and Mahler performed by eight selected singers. 1 (Spring), Charles R. Bronfman Auditorium In 2002, he debuted at the Whitsun Baroque Festival with Haydn's Nelson Mass, and at the Salzburg Summer Festival as Masetto in Don Giovanni, where he has performed every summer since. Hans Neuenfels, director, John Daszak, Robert Falcon Scott Her enthusiasm for classical music, food, and beauty products is contagious. R. STRAUSS: Also sprach Zarathustra op. Jenna spent most of her life living in the Upper Midwest, studying music and appreciating art in its many forms. Thomas Hampson, Baron Scarpia, SCHUBERT: Der Snger D 149 Camille Thomas, violoncello LISZT: Songs Concerto for Two Pianos in E flat major, KV. Joshua Bloom, Henry Kissinger Klaus Mkel, conductor, Dorothea Rschmann, soprano Vienna Boys Choir. [32], In early 2000, Hampson returned to his fascination with Gustav Mahler, performing a Mahler-centric recital at Carnegie Hall in February. Principal. Lang Lang, piano 3, Organ Solo In March, he made his role dbut as Scarpia in Puccini's Tosca at the Zrich Opera. As the Principal and Founder, her vision and passion for design and creative collaborations have been the foundation for Lenny's Studio from the start. Thomas Hampson, baritone RIMSKY-KORSAKOV: Sheherazade, Symphonic Suite Op. Jenna is the editor and co-creator of Schmopera.com. Favorite things: dogs, puppies, flowers, sunshine, humidity, beaches, people who love food, COFFEE, Vivaldi, Beethoven. BRAHMS: Symphony No. During the Schubert Week, young singers and pianists present their work with Thomas Hampson in two public workshops and a concluding performance. ADAMS: Harmonium, SVENDSEN: Festival Polonaise FLIFLET: Brin Ut mot havet Hampson delivered a bell-toned "Hai gi vinta la causa" as an answer to Pisaroni's darkly projected "Non pi andrai" from Figaro. Alejandro del Cerro, Trajan 6, F-Dur Pastorale, op. Yannick Debus, Pieter Thomas Hampson (Hadrian) and Isaiah Bell (Antinous) in the Canadian Opera Companys world premiere production of Hadrian, 2018. We teach them how to become voices that are useful for an industry purpose. WAGNER: Prelude and Liebestod from Tristan und Isolde Tara Erraught, Kathleen Scott markets.[60]. WOLF: Orchesterlieder nach Gedichten von Eduard Mrike Regardless of whether the focus of the scene is on the physical - how much skin was shown, or how graphic the action would become - or about depicting love, a sex scene is certainly a vulnerable thing to rehearse. DEBUSSY: La mer. Andreas Schager, Menalas Thomas Hampson, baritone WALTON: Belshazzars Feast, Dan Ettinger, conductor Delighted to share another exciting collaboration with Martin Haselbck & @OrchWrAkademie. WOLF: Four Mrike songs for baritone and organ Helena Rasker, Griets Mother Swiss composer Stefan Wirth will be in conversation with those involved in the production and will provide information about his score. Verbier Festival Chamber Orchestra Avi Avital, mandolin BRAHMS/GLANERT: Four Preludes and Four Serious Songs This collection of Liszt https://t.co/BwjMeBIaCp. Stephan Koncz, violoncello She's a pianist and vocal coach, and her work in opera allows her to present a truly insider look at the industry and its artists. SCHUMANN: Symphony No. Each rose to fame singing lead roles in Mozart's Le nozze di Figaro and Don Giovanni, and Friday's program offered delectable picks from both. Guglielmo (from Cos fan tutte) for the Netherlands Opera, the Glyndebourne Festival Opera, and the Salzburg Mozart Week were additions to his Mozart portrayals. Sean Michael Plumb, Olav Bjaaland, Thomas Hampson, baritone Martha Argerich, piano Matthew Swensen, Ferrando PROKOFIEV: Symphony No. [18] He was also awarded an honorary doctorate of music in his hometown of Spokane, Washington from Whitworth College that same year,[19] and took a large role in the publication of a new critical edition of Mahler songs, alongside which he released a recording in collaboration with Geoffrey Parsons. ALESSANDRINI: A melting encounter Thomas Hampson and Luca Pisaroni present a unique program of operatic highlights and favorite classical and popular songs in an exciting gala evening. Not only does Isabel wow everyone with her gorgeous soprano voice, but she also brings her creative side to her beautifully crafted written content. STRAUSS: Songs for baritone and string orchestra (new arrangements), The University of Michigan School of Music. 2, IVES: Variations on America Though audience members may have been voyeuristic in their curiosity over the scene - and perhaps the chemistry between Hampson and up-and-coming Canadian tenor Isaiah Bell, who sings the role of Hadrians lover Antinous - the creative team behind Hadrian was focused instead on defining deep intimacy between the two men. Dean Murphy, Pieter Luca Pisaroni (born 1975) is an Italian operatic bass-baritone, known for his roles in Mozart's operas, but who has steadily expanded his repertoire into the Baroque as well as moving beyond into Rossini. Comprising more than 150 albums, his discography includes winners of a Grammy Award, five Edison Awards, and the Grand Prix du Disque. Rebecca has a way with words, a love of research, and a passion for working with artists. Songs from Chicago: Thomas Hampson, Kuang-Hao Huang (piano); Wonderful Town (2005) - EuroArts, B0009SQC2S, This page was last edited on 18 February 2023, at 22:28. Melanie Diener, soprano, Valentina Nafornia, Fiordiligi Thomas Hampson, baritone, Wiener Konzerthaus Subscribe to the newsletter to get the latest updates. Andreas Ottensamer, clarinet [49] In May, he performed with the San Francisco Symphony at Carnegie Hall, to great praise.[50]. Vienna Acoustics, an Austrian music company, named one of their speakers "The Hampson Edition. Der Taucher D 77 BERNSTEIN: Divertimento ADAMS: The Wound Dresser for baritone and orchestra Cate and Pisaroni were subsequently married[1] and now make their home in Vienna.[6]. Gruppe aus dem Tartarus D 583 Nicolae Moldoveanu, conductor, Elena Mosuc, soprano SCHUMANN: Symphony No. Luca Pisaroni (born 1975) is an Italian operatic bass-baritone, known for his roles in Mozart's operas, . AUG 21 - 24, 2021 . SIBELIUS: The Swan of Tuonela Des Antonius von Padua Fischpredigt 1 and sometimes breaks away from the computer screen with just enough time to go for a walk in the forest. Perhaps its Hampsons continuous work in art song that has kept him tethered to this basic tenet of his profession; without costumes, sets, or directors concepts, a recital singer is left with the simple tools of voice, melody, and text. She's now fortunate to take her life (and pets!) Stphane Logerot, double bass His U.S. recital debut occurred April 14, 1986 at The Town Hall in New York, where The New York Times praised him for "good looks, a commanding stage presence and, even within the confines of the recital format, an apparently vivid theatricality". HAYDN: Symphony No. James Gaffigan Wolfram Rieger, piano, Thomas Hampson, Artistic Director of the Lied Academy "People: 418. Michael Fabiano, tenor, Sinfonieorchester Basel "[13] In February and March of the same year, Hampson continued his partnership with Bernstein, first in a widely appreciated performance of Mahler's Rckert-Lieder and Lieder eines fahrenden Gesellen, and then for his Carnegie Hall debut, performing Mahler's two cycles with the Vienna Philharmonic (Bernstein's last public performances in the venue). Luca Pisaroni, bass-baritone. Galle Arquez, Dorabella His operatic repertoire is comprised of more than 80 roles, and his discography includes more than 170 albums, with multiple nominations and . Thomas Hampson, Roald Amundsen [62], Hampson received the 2020 Heidelberger Frhling Music Award. Yoav Levanon, piano, MOZART: Rivolgete a lui lo sguardo, Cos fan tutte 99 Alexandra Urquiola, Plotina Zoi Tsokanou, conductor Having settled in Vienna long-term, Hampson later began dividing his time between New York City and Zrich. [45] Hampson also sang at the Salzburg Festival once more, this time in honor of Mozart's 250th Birthday. The final scheduled piece was "Anything You Can Do" from Annie Get Your Gun by Irving Berlin. on the road, connecting artists and companies with curated and meaningful opportunities to showcase them in their best light. Thomas Hampson, baritone BERG: Seven Early Songs (orchestral version 1928) Watching how baritone Thomas Hampson and bass-baritone Luca Pisaroni worked together in their recent "No Tenors Allowed!" recital at Jordan Hall as part of the Celebrity Series of Boston, one thing became quite obvious - a great recital might be a singing-actor's best possible forum for expression. SCHUBERT: Four songs for baritone and orchestra Nude was always off the table, says Thomas Hampson of the much-anticipated love scene he would stage as the title role in Rufus Wainwrights second opera, Hadrian. The same year, he released a Cole Porter tribute album on EMI/Angel. For Hampson, a display of excellent singing was always about the absence of reality, it was never about the display of voice. Thomas Hampson, baritone, STRAVINSKY: Scherzo fantastique, op. [8], An audition tour in Europe in the early 1980s brought him a contract with the Deutsche Oper am Rhein in Dsseldorf, as well as the opportunity to study with Dame Elisabeth Schwarzkopf, whom he had met at the Merola program. OFFENBACH: Erlknig, D 328 op. Du bist die Ruh Concurrently, Hampson earned a BFA in Voice Performance at Fort Wright College under the tutelage of Sister Marietta Coyle.
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